State Rooms

In a dream
I am painting
State rooms
For the Queen.

Before reviewing
Each room and
Each paint pot
Her Majesty had to
Take a call
Which wasn’t odd at all
And at odds with not
Before we fall.

Acorn green
From eggy paste,
I complimented
Regal tastes,
But underneath I
Plant in haste
Words I heard
Within her wake,
Succinct,
Pertaining to
All I knew about
Her commodore’s
Disgrace.

10/10

I was at university in London when the first attack took place, although I have not ever studied at university in London. It wasn’t a terrorist attack, but something even worse. It was October 10th. 10/10, when the war commenced.
I go between London and New York. I don’t mean travelling, as if I am between offices in those two cities, but rather I can walk around a corner in White City or Shepherd’s Bush and find myself in Manhattan or Lenox Hill.
The first attack hits New York but it blacks out London at the same time. We are in a university building, a small crowd of bewildered students, lights go out and the mobile network goes down. There is confusion but also some resolve which is both innocent and youthful but also borne from already being world-weary.
I find myself in a white van with black innards, sat with a few of my peers, a handful of us, being driven in the dark through London streets stripped of any sense of their usual hums and buzz. I recalled we went to see a lake, earlier in the day, before this all happened – a large escarpment on the west side – and on the lake itself there were pedalos and, bizarrely, three of four hovercraft. I remember thinking who would want to go on the pedalos when the surface is being so disturbed by the much larger, aggressively-driven vehicles. Perhaps this was a sign I did not see.
We turned a corner, and now I am in New York. I live with you on a residential street, a town house with three or four storeys, on a street where all the other houses have been converted in the past into apartments. White furniture, wooden floors. People in positions of some authority are knocking on doors, asking if there is room to take in people made homeless by the attacks. I look around and there are about twelve adults already in our house, but I say that I can take another ten, no more. So that’s what happens. People are sleeping on floors, and I am talking with several of the more resilient types. There is nobody who is really old, most people seem to be in their thirties, I’d say, and of various ethnicities. I seem to have a role, a pull, a centre of gravity, though I do not know why or what it is. I look out of the window again. There are people carrying guns for protection. One of the men who was in my house is now riding on the back of a blue bin lorry, with a radio and mic and words of protest as the lorry moves off down the street.
It felt important to ensure that the front door was locked. I wasn’t sure about the back entrance – I recollect there was a gate and a small garden or yard, and then the back door. Standing in the kitchen, I thought to myself that my children would have liked this house.
We have to go upstairs but the stairs are broken. An older man with tattoos on both hands points to a contraption from which two series of steps emerge. He holds these ladders in place, which is how I notice his tattoos. For some reason there is now a bare bald razor in my hand, the type found in manual shaving razors but without the plastic grip and case. It is in three parts. It is important, that I have to carry this in my hand without dropping it and without cutting myself while I climb up the stairs. The steps are quite flimsy and it feels perilous, but I make it to where the original house stairs return in a usable condition, and I am relieved. Other people on that staircase had encouraged me.
I cannot smell or taste in my dreams, I can only touch, see, and hear. I now know this is also reflected in how I write.
I am outside on a wide boulevard on the edge of the city, somewhere near the river. There are a number of men taking the opportunity to peddle drugs. I thought to myself that their ink will run out soon, because of shortages, but I did not know what this meant. The men engendered a feeling of some fear in me, and we stuck together in a group. Later, I called my mother, who was on her own back in the UK, though she is not on her own. I remembered pressing the point that the connection was poor and that the call might come to an abrupt end. My mother was worried and did not understand what was happening. I also called my wife, although I am not married. Unsurprisingly, she scolded me for various reasons. I reassured her about the key in the door, and that also we should both be OK for money because of the government’s furlough scheme for public service employees. I could tell that her parents were with her in New York, too, although I never set eyes on them again.
From my lounge, filled with people I did not know, some of whom slept, all of whom worried about food and meals and supplies, I tried to text a contact who did have some answers, we thought, but the last three numbers were wrong, and the message was not sent. A meal is made from a group of foods, sometimes using a list called a recipe, and sometimes not.
On a street between offices and shops, police cars are responding urgently to nothing in particular, at least nothing the police can solve.
An angry, haptic, naphtha sky is over the upper city, and there are buildings burning in the distance.

You had to go to Swansea by train. I often dream of stations and tickets. You had kissed me on a dark misty golf course. Your hair is longer. Your mother had set your name in your phone to Scooch.

I woke in a sweat. I wondered what the ancients, the Greeks and the Romans and the Europeans and Chinese and Indians along the Silk Road would have made of it all, knowing what we now know, and having contributed to the source, the beginnings of it all, without a care in the world for the ending.

Flavit Et Dissipati Sunt

Is this the device
To restore me to life?
Aside from Time.

Aboard a forecastle,
Transshipping north,
I had for a while complained

On a dead-dream’s galeón
About that empty butter-dish
As a reflection of maritime

Indiscretion and, yes, indiscipline,
When, mizzenmast by mist absorbed,
I observed the strangest

And yet also greatest tactic
For navigating by enemy ships
My mind might ever deploy –

Such naval mastery,
Having praised the artistry
And admired the torsional

Balance of Riggers
With hands as thick
As a goatskin canteen

I recalled as a boy,
Crafted by one zahatogile
Who lived in the hills

Between beautiful old Bilbao
And her sister-ville, Vitoria-Gasteiz,
With the vigour

Of rumours
In human form,
I watched those sailors

See their majestic
Eponymous flaxen cloths
Unfurl like those enormous flags

High above God’s citadel –
I could only marvel, open-mouthed;
My porcelain soup-ladle fell

To the floor with a clunk
Of patterned petuntse on oak,
Oak above ocean

And bitumen stores, and bunks.
I witnessed that pernicious
Enemy approaching,

Those hawkish sea-dogs set
To embed their yellow jaws
Into Iberian hulls,

When with miraculous invention
And a surreptitious detection
The whole, entire ship,

From fore and aft
Ballast and derrick and all
Submerged slowly, deliberately,

Its seaborne form
Into much murkier waters
Until even our crow’s nest

(Which I once sat within
With telescopic lens to check
And did detest that

Vertiginous platform)
Disappeared from sight,
And the royal mast’s tip

With every man and boy
From Powder Monkeys
To a Quartermaster himself,

Sunk and sunk and sunk
Somehow, yes, sunk,
Under the surface

Our seven hundred men
Descended, by what artifice,
By what new science

I had simply no idea.
Time slowed down,
Saturated pumps immersed,

Until the advancing party passed –
Kittiwake-facing adversary –
And our loneliness checked,

Our gallant vessel
Rose triumphantly,
Independently from nature,

No fish in a tricorne,
No whelks in our breath,
All the saltwater pouring

Away from our death,
We sailed on, yes,
Impervious

To our future defeat
And descent, until
The English said

Flavit et Dissipati Sunt,
Our angels translate as
Repent, Repent, Repent.

Sometimes I Fail

You will move too, eventually,
To leave me alone with my grief.

Sometimes attempting to wash
Bruises away, I do succeed

With those internalised,
And sometimes too, I fail.

Ahead of me, as I thought
About you and patterns of

Dazzling sunlight, two
Overweight dog-walkers

Ambling and unaware
That their dogs had died

Some years ago, well,
As I overtook, in a hurry,

The nearest woman
Raised a flat hand

To just about underneath
Her chin, signifying

Silently that I am to remain afloat
With her only silent gesture.

Arriving home, I called my son –
The missing one sat opposite.

You said one word, repeatedly,
But the line was not so clear

And I failed to hear
What you needed the most.

The Dog Board

In a dream you left for me,
Showed where souls will go,
A mantel-mounted wooden stand
Held miniature drawers in rows.

Should I show you how your brother rests?
You said with some resolve,
And pulled out one such tiny chest
Wherein all hope dissolved.

No treasured urn, no cenotaph,
No scripture on a stone,
Just a hundred unsung blocks
In that yew-tree spirit’s home.

She said ‘It’s called The Dog Board’,
It homes your snow-dogs too,
There beneath the foxgloves,
The white drops and the blue.

There’s no entreaty I could make
To save a space atop,
That place both terrifies and captivates
Above the cauldron pot.

Ballad Of The Paradigm Bar

We thought it was over,
At last we had won,
When my friend on the left said
We forgot someone.
The first time’s defeating
Took only a sneeze,
When for so long we had strived
With barrels and pleas.
Answers revised
Aide memoires ease
More questions answered,
Future disease.

A band of fourteen,
Four in the quiz,
I changed my commission,
Ministerial mistresses
None of my business;
A bowlful of pears,
Furnished with access
To high state affairs –
A royal parade,
Burnishing stairs,
A wide walking hat,
A yukka bears witness,
At my chamber window
Tap tap taps,
Provoked by a gale,
The sheltered despair,
Sometimes you lose the ones
For whom you most care.

Empty church Sundays,
But today people flooded
The aisles and the pews,
Hypocrisy lives
In televised queues;
Panicking vicar
But a subaltern knew
Just what to do.
In a village park grounds,
In a VIP queue,
I held your hand lissom
And said under pink blossoms
Can I now stay with you.

Impossible questions
Know their own answers;
I am always the author
Of every disaster.
He landed with impact,
(Give devil his dues),
Clearly on schedule
Though the landlord was new.
He was maddenly-made
By air dissolute,
Absconded with Judy,
The air turning blue.
Inaccessible realms
He vanishes through,
Stalks with clawed pride
Or licks his were-wounds.
A chalkboard sign
At the paradigm bar
Promoted a prize
For a bet on a horse.

End of the world,
Girl and a boy,
He summoned me forward,
Determined with ploy
To settle the matter
Of whether the planet
Would be swallowed
Or not, (my love on the floor
In white lace collapsed)
He challenged me
(As if I was a saviour
And not, instead,
A man of small means
And compulsive behaviour),
To a game of
Shove ha’penny
By the bar’s exit door.

I always lose games,
What chance did I have?,
As I took hold of some silver
From his crumbling hand;
My coin landed flat
On that crucial puck,
At the opportune Time
I found my friend Luck,
What happens next –
Whosoever could tell,
I rose from my sleep
As if from a spell,
Kettle boiled yellow,
Ham on toast,
The yukka outside
Asked who is the Host.

We thought it was over,
That we had won,
Yet in any winning
Is the end of a song;
Enjoy every moment
Before it’s over
And gone.