Aboriginal

Lunar mood fringe,
They placed several tiny pins
In my undernourished sides,
My diaphragm and then
My abdomen.
They did this for a promise,
For prophecy, and yet
When no blood flowed
Nor did I flinch nor wince
Nor died, they hauled
And winched me up
By my rusty flehmen lip,
To survey all extents
Of the damage they once did.

Far away from my vantage
I could discern a dust bowl;
Local Angle diminishes grief.
Despite the best intentions
Of actors and musicians,
Also known as charlatans
And often politicians,
We are worse off now
Than we were back then.
There is a bald eagle at war
With itself, it circles and calls
In brawling self-doubt;
In a dream irrepressibly
Parallel with that downy beast
Four bearded men rode side-saddling
Into a town where football grounds
Are venues for public displays
Of punishment and the schools
And universities and places
Of worship were left deserted
Long ago, long before my desertion.

When misappropriating men
Chase flags or desecrate chalices
Or bulldoze summits
To landscape the world a little flatter,
It is always women out of love
And children out of hope
Who are doled the most to suffer,
And at last I could see
From these barren heights
How Time’s helices reverted
To a more peaceful place
Wherein my less bleak thoughts,
Moreso than all of these,
Became at once atavistic and
Goldenly aboriginal.

The Drowning Bride

The Queen of the Skies retired,
Long live our runway king;
Her assignation had three names,
It’s best not to question pretence.

Eulogies for a fuselage,
Front pages in the press,
But forestries are macadam
And all the workers left.

Newsreaders are enthusing,
A partisan casting and bribe,
Like praising skills of a killer,
Some words as sharp as knives.

They’ll read from flooded desks,
Drenched laptops and manilla files,
By sinking sails and tillers,
About my drowning bride.